Podavleniye Folio

Index

1. Arrabbiosa (2025)
2. Situazioni d’emergenza emozionali (2025)
3. dimenticanze (2025)
4. What we create (2024)
5. Repeat (2024)
6. smarginature (2025)
7. inciso fest (2024)

CV

1.Education

2025—Current

ISIA Firenze—Florence (FI), Italy Design della comunicazione e del prodotto digitale
2022—2025

NABA—Nuova Accademia di Belle Arti—Rome (RM), Italy Graphic Design and Art Direction, graduated with 110/110
2018—2022

Liceo Artistico Righi Nervi Solimena—Santa Maria Capua Vetere (CE), Italy Secondary School

2.Experience

February 2026

Officine Fotografiche—Rome (RM), Italy Participating artist in the collective photography exhibition
“Sei modi per perdersi” with Francesco Evangelista,
Luca Montualdista, Ilaria Oppizio, Francesco Pasqua, Silvia Poliziani
2025

Numero Cromatico—Rome (RM), Italy Internship as Editorial Designer
2025

Cosmopolitan—Rome (RM), Italy Selected artist for the creation of an artwork for the exhibition
COSMO I AM
2024

FOTONICA, Audio Visual Digital Art Festival—Rome (RM), Italy Executive artist and exhibitor
2023

“Garbata. Topo/tipo/grafia di Garbatella”, NABA—Rome (RM), Italy Illustration and art direction in collaboration with Silvana Amato

3.Awards

January 2026

Bronze—NABA Communication Awards Receiving the Bronze Award for the “UX-UI” category
for the project “Oiko” in collaboration with Francesco Evangelista,
Luca Montualdista, Ilaria Oppizio
2025

Bronze—NABA Communication Awards Receiving the Bronze Award for the “Digital Art” category for
the project “Repeat”

Last Updated 10.06.26

Podavleniye is my name as a graphic designer, based in Florence.
Podavleniye—a russian word meaning repression—encompasses
everything that is suffocated in silence and can suddenly explode in chaotic
and visceral forms. My work stems from the urge to explore the conceptual
through visual experimentation. I believe that materials have a voice of their
own and that design can become experience, impact, tension: something
that shakes, intrigues, and endures.

Podavleniye is my name as a graphic designer, based
in Florence. Podavleniye—a russian word meaning
repression—encompasses everything that is suffocated
in silence and can suddenly explode in chaotic and visceral
forms. My work stems from the urge to explore
the conceptual through visual experimentation. I believe
that materials have a voice of their own and that design can
become experience, impact, tension: something that shakes,
intrigues, and endures.

Contact

podavleniye@gmail.com

@ossqmenta

Show CV ++

1. Arrabbiosa

16X16 cm
64 pp.

Editorial design

Binding: Elastic
Paper: Usomano Diablo 120 gr

(2025)

The project was born from the need to give tangible and unmediated form
to anger. In a social context that favors the appearance of control, the most
visceral and authentic aspects of the psyche are systematically denied.
This work challenges this norm, rejecting any accommodating tone to
represent the uncontrollable and raw intensity of what lies within each of us.
The choice of the zine medium is not accidental, but intrinsic to the content
itself. This editorial format, with its underground nature, perfectly embodies
the spirit of counterculture. The publication doesn't simply address anger,
but speaks with the voice of anger itself, becoming a narrative and
omnipresent identity that guides, questions, and accompanies the reader.

2. Situazioni d'emergenza
emozionali

20X25 cm
56 pp.

Editorial design

Binding: Spiral
Paper: Fedrigoni Freelife Vellum 170 gr
Fabriano Tiziano 200 gr

(2025)

A study of Numero Cromatico's "Superstimolo" and Eventualism reveals that
the unexpected and chance are essential tools for emotional engagement.
This artist's book was created to offer an interactive and evolving
experience: forms generated by chance meet and transform in unexpected
ways, challenging perception. The alternation between solid and void,
between order and fluidity, creates an open dialogue, leaving room
for infinite possibilities of interpretation.

3. dimenticanze

28x21 cm
96 pp.

Photography and Editorial design

Binding: Exposed stitch binding
Paper: Fedrigoni Freelife Vellum 140 gr
Fabriano Tiziano Lama 160 gr

(2025)

"dimenticanze" is a photographic project that explores the boundary
between what remains and what fades away: objects worn down by
time, traces and suspended fragments that demand attention from the silence.
Born from the margins, the work reveals something unexpected: it is not
simply a matter of observing what dissolves, but of witnessing a continuous
attempt to emerge. Like raw, exposed flesh—something that cannot remain
still and struggles to exist, to be seen. A physical tension between
concealing and revealing, between matter that yields and something that
continues to push toward the surface. The project was presented at Officine
Fotografiche as part of the group exhibition "6 modi per perdersi", curated
by Valerio Polici and Annalisa Polli.

4. What we create

16x23 cm
112 pp.

Editorial design

Binding: Exposed stitch binding
Paper: Fedrigoni Arena Ivory 120 gr

(2024)

"What we create" is a editorial project created in collaboration with Claudia
Lucia Giorgio (Albazeta), dedicated to the Museum of Civilization in Rome.
We have represented the museum as a large house, where objects
from different contexts form extravagant families. Illustration and digital
photography are the tools that made this vision possible, transforming
each artifact into an element that transcends its origin and utility, telling
unexpected stories.

5. Repeat

50 sec

Animation

Technique: Rotoscope
Motion animation

(2024)

"Repeat" is an opening sequence that tells the story of a young student
in Rome, where urban chaos serves as a metaphor for the frenetic
and cyclical rhythm of existence. The use of original photographic material
aims to convey a sense of authenticity, as if the protagonist's life were
constantly in motion. The collage allows for the overlaying of different
fragments of reality, while the rotoscoping technique transforms real
images into animations. Every day is a new episode, similar but never
identical to the previous one. The project, which aimed to utilize
experimental animation techniques, won the Bronze Award at the NABA
Communication Awards.

6. smarginature

50X70 cm

Poster Design

Technique: Digital only

(2025)

For the Desina 2025 competition in Naples, I created a poster inspired
by the theme of madness, starting from a proposed question: "Who decides
what can be defined as madness?" I chose to visually explore the concept
of "smarginatura," a term drawn from a literary work that I feel is deeply
connected to my Campanian roots. In a passage from My Brilliant Friend,
the author Elena Ferrante describes a mental state in which: "the contours
of things and people are as delicate as a cotton thread; they break, and
everything becomes blurred." From this, I developed my work.

7. inciso fest

Event design

Visual identity

Includes: Print & Digital
Collaterals

(2024)

"inciso" emerges from the rubble, amid the cracks of the past.
The earthquake of January 14, 1968, wiped out the life and history
of Gibellina, but Burri carved its memory into a monument that retraces
the ancient streets. This is a visual identity for a hypothetical site-specific
music festival. The festival reinterprets that event through the concept
of "sound waves" produced by earthquakes, creating a reflective journey
on memory and transformation. Everything that is born remains etched
on this land.

Top